Fact 2020: Patch Notes
Fact 2020: Patch Notes
This year, we explored the work of artists making music with modular synthesisers and hardware through our new series, Patch Notes.
Every week, we turn the spotlight on a different artist from across the world whose process involves hardware synths, modular rigs, patch cables, samplers and effects units, inviting them to record their own live performance.
With the COVID-19 pandemic putting the majority of live performances on hold, these performances – most of them filmed at home – have offered an intimate look at the practice of artists in lockdown.
We’ve picked out a few of our favourite performances from across the year, from simmering ambient sessions to raucous techno live jams via hip-hop, synth pop and experimental soundscapes.
The Luxury Of Choice
Back in the ’80s, tastes in music were narrow. We were passionate about music, but we were wedded to our chosen scenes. The idea that a thrash metal fan might also enjoy the Smiths was utterly alien. The only thing that bound us all together was a shared revolt against the music of the ’70s!
Sam Inglis, Editor In Chief.Photo: JG HardingThe Internet seems to have swept all that away. Today’s teenagers see nothing odd about playlisting The Beatles and Sinatra cheek by jowl with trap‑metal and drill. Music of the past is seen as a canon to be added to, not an embarrassment to be left behind. This seems to me a very positive change, and I wonder if it’s being reflected in the ways people make music.