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Hug a museum: the best exhibitions to see around the UK as restrictions ease

Hug a museum: the best exhibitions to see around the UK as restrictions ease
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Brut force and influence: Jean Dubuffet s enduring impact on contemporary art

Remarkably, Brutal Beauty is the first major survey of Jean Dubuffet’s work in the UK in more than 50 years. Yet, as the curator Eleanor Nairne points out, Dubuffet has remained a source of inspiration for successive generations of artists. David Hockney’s early career was “set alight” by seeing Dubuffet at the Institute of Contemporary Arts in London in 1955, Nairne says. Jean-Michel Basquiat “completely fell in love with” the Frenchman’s “tumultuous” landscapes and his scribbling marks, she adds. And the impetus for the present show was visiting contemporary artists and seeing “how actively they re engaging with his work in their practice”.

France generalUnited kingdomCity ofJean dubuffetDavid hockneyFondation dubuffetJoseph coscia jrReyner banhamJean michel basquiatEleanor nairneFrancis chaverouCourtesy stedelijk museum amsterdamInstitute of contemporary artsExtravagant oneArchives fondation dubuffetBrutal beauty

Celebrating Jean Dubuffet and His Influence on Contemporary Art - New Delhi Times - India s Only International Newspaper

Barbican Art Gallery, London, from 17 May-22 August will host an exhibition with a Brassa photograph of postwar Paris, evoking the "devastated background" that was "a visceral source of inspiration to Dubuffet." The exhibition then takes the audience through the main episodes, from the expressive early figure studies to the dense landscapes that influenced Basquiat, the…

France generalUnited kingdomCity ofJean dubuffetEleanor nairneJean michel basquiatDavid hockneyInstitute of contemporary artsBarbican art galleryParis circusArt brutContemporary artsபிரான்ஸ் ஜநரல்ஒன்றுபட்டது கிஂக்டம்நகரம் ஆஃப்எலினோர் நேர்ந்

Jean Dubuffet: impish master of perpetual reinvention

Jean Dubuffet: impish master of perpetual reinvention Laura Cumming A writer, visiting the French artist Jean Dubuffet in 1956, was taken by surprise. “Dubuffet is here, in flowery hat and socks with green polka dots. He no longer paints with butter, cement or bitumen, but with shoemaker’s glue.” Period photographs show him as a lithe Ariel experimenting with coal dust, quick-drying enamel, fragments of glass, even sand and butterfly wings – a magnificent changeling darting about the studio. Along with Giacometti, Beuys and Bacon, Dubuffet (1901-85) is one of the great artists of postwar Europe: zany, free, perpetually reinventing himself and our idea of modern art. So it seems almost impossible that the forthcoming Barbican retrospective should be the first here in half a century. But Dubuffet wasn’t entirely loved even in France to begin with.

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New book from Taschen offers an unprecedented insight into Basquiat s art and work

New book from Taschen offers an unprecedented insight into Basquiat s art and work Jean-Michel Basquiat. 40th Anniversary Edition. Hans Werner Holzwarth, Eleanor Nairne. Hardcover, 15.6 x 21.7 cm, 1.45 kg, 512 pages. NEW YORK, NY .- The legend of Jean-Michel Basquiat is as strong as ever. Synonymous with 1980s New York, the artist first appeared in the late 1970s under the tag SAMO, spraying caustic comments and fragmented poems on the walls of the city. He appeared as part of a thriving underground scene of visual arts and graffiti, hip hop, post-punk, and DIY filmmaking, which met in a booming art world. As a painter with a strong personal voice, Basquiat soon broke into the established milieu, exhibiting in galleries around the world.

New yorkUnited statesAndy warholAlbert oehlenChristopher woolEleanor nairneJean michel basquiatHans werner holzwarthJeff koonsNew york timesWerner holzwarthEditions jeff koonsDavid hockneyBigger bookArt galleryFantasy art