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When you think about David Gilmour s guitar sounds, you tend to think of big Hiwatts, creamy Big Muff or blazing Fuzz Face tones, and Echorec delays bouncing infinitely off the columns of Roman amphitheaters.
But modulation has always been an equally foundational part of Gilmour s outsized sound picture. And while he s probably most famously associated with the Electro-Harmonix Electric Mistress when it comes to signal wobbling, he has embraced rotary speakers regularly since 1969. For much of his career, Gilmour used Leslie 147s or Yamaha RA-200s in this role. But at some point, he started to work with the Maestro Roverâan unusual stand-mounted rotating speaker that his technicians would use as inspiration for his more powerful, custom Doppola units. By the mid 90sâa period that looms large for Gilmour tone hounds of a certain breedâthe Maestro and Doppolas were elemental parts of his sound.
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