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Cristina Henriquez and the secret to writing a (good) historical novel

Whenever I see a historical novel that’s clearly a historical novel — the curlicue cover fonts, windswept beaches, hooped dresses, moody Renaissance hues, tall-masted schooners, maybe a helicopter to suggest Vietnam — I cringe. I feel bad for the writer. Because the idiot part of myself whispers that historical fiction was a terrible mistake. It’s one of those residual, myopic cultural .

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