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Cartoon by Karen Sneider About Titian, what can be said after you say that he is the finest pure painter ever? Susanna Kaysen, the author of “Girl, Interrupted,” surmises that the subject of “Portrait of a Man in a Red Cap” (circa 1510) “looks to the left, into the past.” Reading that, I see it. The other Titian portrait is of the artist’s best friend and tireless promoter, Pietro Aretino poet, connoisseur, power broker, feared satirist, author of popular devotional literature and pornography, intimate of rulers including the Holy Roman Emperor Charles V, and altogether one of the most interesting men of the sixteenth century. (I’m acquainted with Aretino from a bounteous 2012 biography, “Titian: His Life,” by Sheila Hale.) Turning to the Bellini (circa 1476-1478), we behold St. Francis standing outside his cave in a rustic landscape with meadowed sheep nearby and mountains and noble buildings in the distance. He looks skyward and holds out his open hands in a co

United statesUnited kingdomNetherlands generalCity ofNoord hollandEmma goldmanMark morrisPietro aretinoHenry clay frickKing philipJoseph mallord william turnerBryan ferryRobert wilsonSusanna kaysenLady meuxAlexander berkman