African theatre, effectively, the theatre of Africa south of the Sahara that emerged in the postcolonial era that is to say, from the mid-20th century onward. It is not possible to talk of much African theatre as if it fell into discrete historical or national patterns. Colonial boundaries ignored
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Osofisan: ''Temporarily. Live theatre has been knocked out for now. But the audience is still there. The demand is still there. The question is, how do we now meet that demand?''
Today is the 43rd remembrance anniversary of the doyen of Sakara music, the late Yusufu Olatunji, alias ‘Baba l’Egba’, but the formal celebration of the anniversary is on Saturday.