There are moments in
Straight Shooting (1917), the first feature directed by John (then Jack ) Ford, when its star Harry Carey (1878-1947) exudes a naturalism that the famous Western actors who followed him, most notably John Wayne, strove to emulate.
There are moments in
Straight Shooting (1917), the first feature directed by John (then Jack ) Ford, when its star Harry Carey (1878-1947) exudes a naturalism that the famous Western actors who followed him, most notably John Wayne, strove to emulate.
When Carey s character Cheyenne Harry is looking confidingly at the camera, his surly almost-smile is millimeter-perfect in its grudgingness and sense of the ironic. His unsteadiness and glazed expression when drunk convey that bizarre mix of hyper-selfawareness and dimmed comprehension everyone knows when they ve had two or three too many. In the rhetoric-heavy era of silent cinema acting, Carey was a marvel of minimalism – unlike William S. Hart, his peer (and fellow New Yorker
Ratings info(May contain spoilers)
Multiple people are shot, but the violence is often stylised and there is no blood or injury detail.
People are shown smoking and drinking. A Mexican character is shown stealing a jar of jam, but he is not depicted as a villain.
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