all right. blonde, numbertwo, which i did indeed think was a biopic of marilyn monroe. so, it s based on the fictional biography of marilyn monroe byjoyce carol oates, which is a work of fiction, but based on some historical fact. it s directed by andrew dominik, who made the assassination ofjesse james by the coward robert ford, and it has a stunning central performance by ana de armas, who is absolutely brilliant as norma jean, marilyn monroe. the way that it plays her story, however, is not as a biopic, but as a horror movie. you know, in the past, you know, i ve tried to sell movies, too, but it s not a horror movie. it really is a full on gothic psychodrama, over cranked, really in many ways, kind of very cruel and brutal. and it is a film about childhood trauma being revisited throughout adulthood. some critics have said, well, it completely makes marilyn monroe a victim and it underestimates her talents as a comedian. well, those things may be true. in the end, it s not about ma
"Unexpected Creampie for A Cheating Wife" - You've been invited over to help out your best friend with something; but, when you arrive, he isn't home. It is only his wife, who is half naked answering the door. She invites you in, revealing her desire to fuck you. She's wanted to fuck you for so long, and today she isn't taking no for an answer. She gets on her knees, sucking and jerking your cock; but, you will not let yourself cum. Your true intentions are to give her a hot, sloppy creampie. Even though she says she isn't on birth control, you can't resist the temptation to fill up her tight, wet pussy. What if she gets pregnant?!
of the chauvinist dream of what the world looks like in which the man goes to work and the woman stays at home. we have seen that done many times before, much better. and of course, it didn t help that in the run up to the film playing at venice, there was all this kind of controversy about florence pugh not taking part in the publicity for the film and, you know, casting and recasting. i think the film could have got away with it if it was 90 minutes long, because it s a fairly. it looks very stylish. the production is terrific. it s you know, it s solidly made, but it takes itself more seriously than it deserves to. and it s a bit kind of like, yeah, i know. yeah, and? that s what it is, you know. and i loved booksmart like you. yeah, absolutely terrific. this doesn t have any of that energy. florence pugh is brilliant, but it s a big movie to carry, you know, and even she can t get it over the problems that are inherent in the script, i think. 0k.
which is a new film by olivia wilde, who made booksmart, which i loved. florence pugh and harry styles are alice and jack chambers. they live in a kind of absolutely rarefied, dreamy, late 50s, early 60s americana, you know, glistening cars, mad men suits, fabulous dresses. the wives stay at home and prepare the house and cook the meals and wait for the return of their husbands, who are out doing work which cannot be spoken of when they come back. and florence pugh s character seems to think this is idyllic and wonderful. and then, one of her friends and neighbours becomes suicidal after leaving the village, which they re not allowed to do, and going out into the desert and encountering something. and alice starts to think, hang on a minute, this isn t what it seems. there s a conspiracy going on here. here s a clip. violet, where did you meet bill? we met on a train. to boston. yeah.
are alice and jack chambers. they live in a kind of absolutely rarefied, dreamy, late 50s, early 60s americana, you know, glistening cars, mad men suits, fabulous dresses. the wives stay at home and prepare the house and cook the meals and wait for the return of their husbands, who are out doing work which cannot be spoken of when they come back. and florence pugh s character seems to think this is idyllic and wonderful. and then, one of her friends and neighbours becomes suicidal after leaving the village, which they re not allowed to do, and going out into the desert and encountering something. and alice starts to think, hang on a minute, this isn t what it seems. there s a conspiracy going on here. here s a clip. violet, where did you meet bill? we met on a train. to boston. yeah. yes, you dropped your ticket and you bent down, picked it up, gave it to you, right?