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Ladipo Adamolekun: I too remember*, By Niyi Osundare

I Too Remember (Going Down Memory Lane With Oladipupo Adamolekun At 80), By Niyi Osundare

I remember: that day in September 2005 when my wife and I, having very narrowly survived the killing claws of Hurricane Katrina, were left penniless and weather-beaten evacuees

Yes, we Can! : New Frame

Conference on land governance to engage cultural and creative sector practitioners | United Nations Economic Commission for Africa

Sibongile Khumalo, the transformative singer who built an archive of South African classics

South African singer Sibongile Khumalo (1957-2021) was born into a dynasty of musicians. Her grandfather was a maskandi artist. This is a popular form derived from indigenous Zulu music created by migrant labourers, mostly accompanied by an acoustic guitar. Her father, Khabi Mngoma, was a classical musician, a community builder in Soweto and, ultimately, a music professor at the University of Zululand. Undoubtedly, it was her mother, Grace Mngoma, who bestowed her with her warm mezzo-soprano/alto voice. In numeroussources, including writer and activist Es’kia Mpahlele’s memoir Down Second Avenue, Grace is mentioned as an alto soloist in productions of Handel’s

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