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12 . 10 . 20
Among the many gifted designers now at work in the publishing industry, Peter Mendelsund is one of my favorites. To my shame, I can’t remember the first time I saw an intriguing cover, turned to the back flap to see whose work it was, and found Mendelsund’s name, but by now I have a slew of books he’s designed, including his splendid series of Kafka and Calvino paperbacks. (He’s also a fine writer. Talent is unevenly distributed.)
In
The Look of the Book: Jackets, Covers, and Art at the Edges of Literature, published this fall by Ten Speed Press, Mendelsund collaborates with David J. Alworth, a scholar specializing in literature, media studies, and cultural history (deeply conversant, for instance, with the work of Bruno Latour: a red flag for me, but catnip for some) to examine the process and history of book cover design. In one way,