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“Imagine you must survive without running,” Ada Limón writes in one of
The Carrying’s (Milkweed) early poems, and for a while I can imagine nothing but that. But then, a few pages later, she writes, “Perhaps we are always hurtling our bodies toward/ the thing that will obliterate us . . .” and I think, yes, I imagine that is also true. On and on this book goes, making me imagine the world in one way and then another. Consider her poem “American Pharoah,” in which the speaker is quite literally sick and tired but is forced to leave the house to see some horse “not even race, but/ work.” She’s a grump, the poem’s speaker, just like I am so often grumpy and tired and sick of it all. And so too is “some horse racing bigwig” who is certain this horse must be overrated. Isn’t so much of what this world sells us overrated? The blooming trees and the dogs and the dandelions and the tomatoes and the dreams we have of the people we love or the people we hope to l
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Saturday, February 27th, 12PM EST
From the Xena Uber to the Great Lesbian Migration, fanfiction has always played an important role in shaping lesbian literature. For this workshop, join us in uncovering the historical connections between queer women s fandom and the world of publishing. For over 50 years, fandom and fanfiction has been a space for writers to critique the absence of women in books, movies, and televisions shows, while also offering a space for queer women to explore sapphic themes either absent or written out of popular media. We will draw from popular tropes and writing conventions employed in fandom to generate some of our own creative works. By examining what fanfiction centers (characters and their relationships), we will imagine stories of our own that can do the same, while also discussing why character-driven narratives are so impactful and important to lesbian literature.