Okay. Fiddling with this Plastic Surgeon is such a shukher. Well, maybe . Never went. Makes it difficult to breathe. I wont last that long. Until its long. It will explode and everything and nothing will press. Ah, well then, okay. In 4 hours i wont have bruli. Bach everything depends on your friend. From what you took that i generally know something in a book from this read. Volkov told you where he hid everything. Styopa i know time has gone. I dont know what he wrote there. I dont count waste paper. Boris and i were partners of no war. We didnt have it, then why are you smoking yours set it up, its not me lyapin he set everyone up. Well, yes, of course, i would also blame the dead. All right. I tell it like it is. Lyapin is alive, i just cant find him, why are you driving me an engineer to me a wolf himself , his mound in the cemetery showed a monument side monument. And you can put yourself to say nothing. And i can check. You check. The second alley is the fourth section, and what
Hello. Imjohn wilson. Welcome to this cultural life, the radio 4 Podcast Series in which i talk to leading creative figures about the key moments of their life and the most important cultural works that have fired their imagination and had a profound impact on their own art. My guest is carlos acosta, the cuban born ballet star who, over a 30 year career, is now regarded as one of the greatest dancers of all time. He became the first black principal of the royal ballet and set new standards of grace and athleticism in theatres around the world. Having retired from the classical stage, he set up his own cuban dance company, acosta danza, and is also director of the birmingham royal ballet. Welcome. Lets start in cuba, with your family, your upbringing. A happy childhood . Very happy, i must say, although in the 80s in cuba, still, our family was on the. I would say it was poorer than most families, but still there was a big, big sense of community. It was a good time for cuba anybody c
I changed my mind about being a hermit, after all. You need to wash your course book. You want to go all out. Maybe last. For the soul or beauty, whats with the elevator , and death came somewhere around 12 oclock at night, or rather, ill say after the autopsy, judging by the stripevolutionary section. You see, she was strangled with something thin. Maybe it was a twisted scarf. Yes, this brooch came from the bones and the killer tore it off so that it is called along with the meat. Her name was lena malysheva and so no one nothing no one she lived in tenth apartment. The only communal apartment in the house. Okay, ill go talk to the neighbors. Lets talk. Lenochka my girl, he loved her. Almost certainly. Mikhail petrovich took care of her. Why in the past tense . A person does not die , he leaves the physical shell, she is alive. She is with us now lenochka beauty itself. The elusive beauty seems to be caught, she once slipped through her fingers, she doesnt know what lenka is saying,
And set new standards of grace and set new standards of grace and athleticism in theatres around the world. Having retired from the classical stage he set up his own cuban dance company, and is also a director of the berlin royal ballet. Welcome. Lets start in cuba, with your family, ballet. Welcome. Lets start in cuba, with yourfamily, your upbringing, a happy childhood . Very happy, i must say, although in the 80s in cuba, ourfamily was i although in the 80s in cuba, our family was i would say, it was poorer than most families but still there was a big big sense of community, it was a good time for cuba, anybody could participate, do everything that society offers, obviously education was free, there was a lot of community parties that brought the community together. I was very restless as a kid and it was in the 80s where the Breakdancing Movement started in cuba and everything, so i was into breakdancing, obviously, later on in my family, my mother started to have some problems and
Hello. Imjohn wilson. Welcome to this cultural life, the radio 4 podcast in which i talk to leading creative figures about the key moments of their life and the most important cultural works that have fired their imagination and had a profound impact on their own art. My guest is carlos acosta, the cuban born ballet star who, over a 30 year career, is now regarded as one of the greatest dancers of all time. He became the first black principal of the royal ballet and set new standards of grace and athleticism in theatres around the world. Having retired from the classical stage, he set up his own cuban dance company, acosta danza, and is also director of the berlin royal ballet. Of the birmingham royal ballet. Welcome. Lets start in cuba, with your family, your upbringing. A happy childhood . Very happy, i must say, although in the 80s in cuba, still, our family was on the. I would say it was poorer than most families, but still there was a big, big sense of community. It was a good ti