This lovely and touching piece by Dominique Brebion published in the Aica Caraïbe du Sud site is entitled “Tony Capellan: Une rencontre n’est que le commencement d’une séparation.” I highly recommend reading it in its entirety, especially for those who, like me, are still mourning the recent and sudden death of this exceptional Dominican artist. My professional immersion…
Here are excerpts from Dominique Brebion’s essay “Nicolas Derne’s paradoxical parades.” Read full article and see more photos at Aica Caraïbe du Sud. The Studio Lumina, a brand-new arts centre, has just opened to artists and the public, helping to remedy the undeniable lack of venues dedicated to art. Three hundred square metres with raw concrete…
The annual digital publication
Faire Monde(s) has sent out its second call for contributions for the issue to be published online in December 2021. Here are excerpts. For full guidelines, visit
Our aim is to provide a broader aesthetic and critical reflection on the Caribbean context, its specificities or its similarities with global production, and to reflect on artistic practices from all continents. For this second issue, the theme is: “The momentum of communities: how the Diverse dialogues with the All.”
In a global context, numerous socially committed people’s initiatives, supported by an artistic concept of commitment, are appearing on many peripheries. Art is therefore reaffirming itself as a genuine system for social transformation. The Arte Util project by Cuban artist Tania Bruguera brings together a number of artists’ collectives involved in local approaches. These actions are generally based on self-organisation approaches. “Self-organisation is the hall