it is a provocative film. it has several themes, among them gender identity and humans relations with machines, but for its director, it s a movie which explores love. it was a huge challenge for me. i think it s very hard for me to talk about love, and it s very hard to talk about love in this way, in this becoming, like, what love could be and what we should aspire to. that is, unconditional, for me. my character in the beginning of the movie has not been loved before, doesn t know how to love, and she s going to meet this character, this other character, who doesn t think he s able to love any more. and together they re going to find their humanity and they re going to find this sort of intimacy. titane is violent and has strong sexual content. the director doesn t mind if people object. people react the way they react, and this is something you can t. actually, you can, but i don t want to dictate any form of reaction, or any form of understanding of my film. this is certainly a
and it s very hard to talk about love in this way, in this becoming, like, what love could be and what we should aspire to. that is, unconditional, for me. my character in the beginning of the movie has not been loved before, doesn t know how to love, and she s going to meet this character, this other character, who doesn t think he s able to love anymore. and together they re going to find their humanity and they re going to find this sort of intimacy. titane is violent and has strong sexual content. the director doesn t mind if people object. people react the way they react, and this is something you can t. actually, you can, but i don t want to dictate any form of reaction, or any form of understanding of my film. this is certainly a film that doesn t take you by the hand. i mean, for me, as long as a reaction is present, it means the mission is accomplished, right? whether you like her work or not, julia ducournau is breaking ground, shaking things up. she has become a strong,
to say you re sorry. it is a provocative film. it has several themes, among them gender identity and humans relations with machines, but for its director, it s a movie which explores love. it was a huge challenge for me. i think it s very hard for me to talk about love, and it s very hard to talk about love in this way, in this becoming, like, what love could be and what we should aspire to. that is, unconditional, for me. my character in the beginning of the movie has not been loved before, doesn t know how to love, and she s going to meet this character, this other character, who doesn t think he s able to love anymore. and together they re going to find their humanity and they re going to find this sort of intimacy. titane is violent and has strong sexual content. the director doesn t mind if people object. people react the way they react, and this is something you can t. actually, you can, but i don t
who doesn t think he s able to love anymore. and together they re going to find their humanity and they re going to find this sort of intimacy. titane is violent and has strong sexual content. the director doesn t mind if people object. people react the way they react, and this is something you can t. actually, you can, but i don t want to dictate any form of reaction, or any form of understanding of my film. this is certainly a film that doesn t take you by the hand. i mean, for me, as long as a reaction is present, it means the mission is accomplished, right? whether you like her work or not, julia ducournau is breaking ground, shaking things up. she has become a strong, new, acclaimed voice in transgressive cinema. 0ne documentary has been winning a big following at film festivals across north america, and it s gained many converts here at the new york film festival. it s called flee, and it chronicles the struggles of an afghan refugee trying to flee from the taliban
he pushes back to kind of show that maybe he would be a good leader in situations where a good decision has to be made. you previously said that you suspect that ayers may be the one that wrote that anonymous new york times op-ed. i am part of the resistance inside the trump administration. if he is under consideration, clearly the administration doesn t think he s part of the resistance. you still think he wrote the op-ed? i still believe that the language was very consistent with some of the memos that he wrote while i was there and some of the e-mails. and one of the things i think is really interesting is there s been rumors they ve identified who the anonymous writer was, but the white house has been very, very quiet about it because of how high level that person is supposed to have been. you think it might be general kelly or someone of that level? i haven t found out who it is, but i understand from my sources that they ve actually identified that person and has