himself to interact directly with audiences. with audiences. this like a learning with audiences. this like a learning expense - with audiences. this like a learning expense for- with audiences. this like a learning expense for both | learning expense for both sides, it is rather unique cinemas and away you would never at a multiplex, they don t need to have an enormous audience are not even that excited about a million p streaming at home is much as i have smaller having a small dialogue with an audience that cares about movies. the financially cares about movies. the financially fragile - cares about movies. the financially fragile world | cares about movies. the financially fragile world of independent film making, they are seen as a lifeline and a particular help to documentary filmmakers. brute particular help to documentary filmmakers- particular help to documentary filmmakers. we are part of the documentary filmmakers. we are part of the documentary ecosystem - filmma
this trailer is promoting a long established new york micro cinema, dctv, a venue that has a loyal following. do you know kim s video? among recent documentaries shown here was kim s video, a film that explores a legendary now closed new york audio store. the co editor of the documentary came to the dctv screening. to him, a big plus of microcinemas is they provide a space for film makers like himself to interact directly with audiences. it s like a learning experience for both sides. i feel like it s rather unique to small cinemas in a way you would never get at a multiplex. so, i don t need to have an enormous audience, i m not even that excited about a million people streaming at home as much as i am having a small dialogue with an audience who cares about movies. in the financially fragile world of independent film making, micro cinemas are being seen as a lifeline and a particular help to documentary filmmakers. we are a part of the documentary ecosystem in the world.
In the summer of 2022, days before the Supreme Court overturned Roe v. Wade, some 500 high school girls gathered in Missouri for a weeklong mock government camp in which they elected their own governor and seated an all-female Supreme Court that would rule on their own bodies. It was during that week that documentary filmmakers Jesse Moss and Amanda McBaine chose to film the follow-up to their award-winning 2020 film “Boys State.” “It felt like we had gone from this sort of — not quite utopia — but this imagined, wonderful world where we had control of our bodies and we were involved in these conversations,” says Nisha Murali, one of the handful of young women followed in the film.