Come summertime, the French city that inspired Vincent Van Gogh becomes a cultural cornucopia for art shows that celebrate Arles’s history with a modern twist.
In Djamel Tatah: Solitary Figures, the artist has finally been given his first exposure in the New York art scene, with the aid of Richard Vine’s curatorial prowess. In addition, the superlative and insightfully conceived catalogue essays on Tatah’s work by Vine and art historian Barbara Stehle possess an exactitude and incisiveness that are difficult to argue against.