the lead starts right now. the justices erase race-based college admissions. we re talking to one of the attorneys that argued in support of affirmative action before the court. then documents shared exclusively with cnn show a russian general, whose whereabouts is currently unknown, was a secret vip member of the wagner mercenary group. plus cnn s erin burnett joins us live from kyiv where she just sat down with former vice president mike pence during his surprise trip. the parkland resource officer who did not enter the building is found not guilty. welcome to the lead. i m abby phillip. jake tapper is off today. we begin with our law and justice lead. college admissions programs in america will no longer look the same. protesters gathered outside the u.s. supreme court after its landmark decision saying colleges can no longer take race into consideration as an expressed factor in admissions. now, this over turns longstanding precedent that has benefited black and lat
miguel joins us live this hour to discuss what this means for higher learning in america. and breaking news out of moscow. cnn has new reporting on the top russian general who appears to be missing after the mutiny. documents indicating he was a secret vip member of the wagner mercenary group behind the rebellion. and the former school deputy who failed to confront the park l parkland shooter is found not guilty. welcome to our viewers here in the united states and around the world. i m wolf blitzer. you re in the situation room. let s get right to our top story. the united states supreme court ruling that united states supreme court ruling gutting affirmative action in college admissions. the concern with majority upended precedent and prompting a fiery dissent by liberal justices on the court. cnn s senior supreme court analyst is joining us right now. joan, how did the conservative majority reach this decision and what are the real world impacts of it? well i ll tell
Lubaina Himid is a painter who uses the canvas to experiment not only with the language of traditional art history, but also to engage with the social sphere. Many of her works exist, as Himid has noted, in “the moment between a question and an answer,” and in those interstices, audiences are invited to enter her exhibitions as worlds of their own making.
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