the part where they say freak out actually began as something else. freak out le freak, c est chic it went from something off to freak off to being freak out. just come on down to the 54 find a spot out on the floor oh, freak out le freak, c est chic freak out that s probably the best thing that ever came out of studio 54 was that song. disco was a revolutionary force. funk marries disco and it leads to hip-hop. it s 1979, i heard chic s good times come on. i kept hearing somebody talk over the song. to the hip, hip hip-hop you don t stop a rock it out bubba to the bang, bang boogie boobie to the rhythm of the boogie
i remember really being upset about this word disco. it was r&b music to me. i felt like they stripped it and gave it a new name and weren t giving credit where i think the credit was supposed to go. do it again. second half of the chorus but bring in the sound. that s great. one, two, three, four. tragedy the bee gees always liked r&b and always liked soul. i always thought they were a pop band that always had r&b leanings. the bee gees do what pop stars do. they really got the zeitgeist of what was going on. staying alive staying alive staying alive [ applause ] this is the scene outside a new york disco called studio 54. this is the place that s in with the disco crowd. i have been to goat ropings and space shots.
burn, baby, burn i loved disco. i always loved dance music anyway. because whatever i did as a producer was always danceable. the melody. georgio moroder working out of munich put together technology and soulful vocalist. donna summer being the ultimate embodiment. and they make some of the biggest record of all-time. ooh, love you love you, baby ooh, love to love you, baby love to love you baby was four minutes of singing. 14 minutes of a lot of not singing. oh, love to love you, baby oh, love to love you, baby i always wondered for the life of me was he just in the booth, more passion, more actually, i threw everybody
about this word disco. it was r&b music to me. i felt like they stripped it and gave it a new name and weren t giving credit where i think the credit was supposed to go. do it again. second half of the chorus but bring in the sound. that s great. one, two, three, four. tragedy the bee gees always liked r&b and always liked soul. i always thought they were a pop band that always had r&b leanings. the bee gees do what pop stars do. they really got the zeitgeist of what was going on. staying alive staying alive staying alive [ applause ] this is the scene outside a new york disco called studio 54. this is the place that s in with the disco crowd. i have been to goat ropings and space shots. i ve been in a lot of strange
out actually began as something else. freak out le freak, c est chic it went from something off to freak off to being freak out. just come on down to the 54 find a spot out on the floor oh, freak out le freak, c est chic freak out that s probably the best thing that ever came out of studio 54 was that song. disco was a revolutionary force. funk marries disco and it leads to hip-hop. it s 1979, i heard chic s good times come on. i kept hearing somebody talk over the song. to the hip, hip hip-hop you don t stop a rock it out bubba to the bang, bang boogie boobie to the rhythm of the boogie