oh, the silly queers art. it was most extraordinary, because there was the morality of that day was totally different, and we want to change the morality, that you can look at a naked person. in the renaissance, they were able to look at naked people who were doing whatever they want. why not today? and it is changing in an extraordinary way. and we were able to confront, even, like, the dirty worth, no? that word, dirty , is at the heart of a lot of what you ve done, because dirty, you know, doesn tjust mean the literal sense of being soiled with dirt. unacceptable. in the english language, it carries this much deeper meaning, tied to sexuality, to bodily functions, where there are certain things we don t want to think about or be confronted with. but they all love it. all young people all love it. yes, we have a huge community now, not of tramps damaged by the first
of playing the change. we re very proud of that. do you like the london, the england, the uk of today, better than that place that you began making art? 0h, we ve always loved london. and of course. it s all the same evolution, we call it one big walk that we are doing. and everybody, when we first started out, they all called us queers in all the art world. even the art critic oh, the silly queers art. it was most extraordinary, because there was the morality of that day was totally different, and we want to change the morality, that you can look at a naked person. in the renaissance, they were able to look at naked people who were doing whatever they want. why not today? and it is changing in an extraordinary way. and we were able to confront, even, like, the dirty worth, no? that word, dirty ,
we ve been a small part of playing the change. we re very proud of that. do you like the london, the england, the uk of today, better than that place that you began making art? 0h, we ve always loved london. and of course. it s all the same evolution, we call it. one big walk that we are doing. and everybody, when we first started out, they all called us queers in all the art world. even the art critic called us silly queers art. it was most extraordinary, because there was the morality of that day was totally different, and we want to change the morality, that you can look at a naked person. in the renaissance, they were able to look at naked people who were doing whatever they want. why not today? and it is changing in an extraordinary way. and we were able to confront, even, like, the dirty worth, no? that word, dirty ,
i want to play something else you did with the fisa application. it goes into what s motivating the question here. did you read the fisa application before you signed it in not going to comment about any fisa police vehicle. so you won t say to this committee whether or not you read the document you signed that authorizes spying on people with the trump s campaign? i dispute your interpretation of what that fisa application is about, sir. they are sworn under oath career federal agent, i m not the after yant. but you signed it? well, i explained the process to you did you thoroughly verify it yes or no? i want to explain the process to you i m out of time. you did a good mat lock deal on that guy. that was an intense lune of questioning. the first thing is, you used the word spying. you know that s a dirty worth in the intelligence community, it