let s do it again because that wasn t really a wheelie. he does it a third time. all right, here he comes. we rolling. the third time really is the charm. he gets it. with one take in the can, the director pushes for a safety, one extra shot. one more, dog. but the safety proves anything but safe. the rider takes off toward the camera from a far distance and at a high rate of speed. he pulls up, he loses control whoa! and the bike slips out right out from under him. and he slides and the bike flips up in the air and then it hits a guy s old school cadillac that was just sitting on the street, and i m thinking oh, man, we just killed this guy. immediately after the crash stanley, the director, and the crowd are astonished when the
charm. he gets it. with one take in the can, the director pushes for a safety, one extra shot. one more, dog. but the safety proves anything but safe. the rider takes off toward the camera from a far distance and at a high rate of speed. he pulls up, he loses control whoa! and the bike slips out right out from under him. and he slides and the bike flips up in the air and then it hits a guy s old school cadillac that was just sitting on the street, and i m thinking oh, man, we just killed this guy. immediately after the crash stanley, the director, and the crowd are astonished when the
with one take in the can, the director pushes for a safety, one extra shot. one more, dog. but the safety proves anything but safe. the rider takes off toward the camera from a far distance and at a high rate of speed. he pulls up, he loses control whoa! [ bleep ]! and the bike slips out right out from under him. and he slides and the bike flips up in the air and then it hits a guy s old school cadillac that was just sitting on the street, and i m thinking oh, man, we just killed this guy. immediately after the crash stanley, the director, and the crowd are astonished when the rider stands.
he does it a third time. all right, here he comes. we rolling. the third time really is the charm. he gets it. with one take in the can, the director pushes for a safety, one extra shot. one more, dog. but the safety proves anything but safe. the rider takes off toward the camera from a far distance and at a high rate of speed. he pulls up, he loses control whoa! and the bike slips out right out from under him. and he slides and the bike flips up in the air and then it hits a guy s old school cadillac that was just sitting on the street, and i m thinking oh, man, we just killed this guy. immediately after the crash stanley, the director, and the crowd are astonished when the rider stands. he got up.
charm. he gets it. with one take in the can, the director pushes for a safety, one extra shot. one more, dog. but the safety proves anything but safe. the rider takes off toward the camera from a far distance and at a high rate of speed. he pulls up, he loses control whoa! and the bike slips out right out from under him. and he slides and the bike flips up in the air and then it hits a guy s old school cadillac that was just sitting on the street, and i m thinking oh, man, we just killed this guy. immediately after the crash, stanley, the director, and the crowd are astonished when the rider stands.