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Where Wonder Woman 3 Could Go | Hollywood Reporter

Warner Bros. Wonder Woman 1984. Patty Jenkins has said the third installment will be a contemporary story, which leaves open the possibility of seeing Diana Prince stepping into the not-too-distant future. [This story contains spoilers for Wonder Woman 1984.] Wonder Woman 1984, the sequel to her hit 2017 film, Wonder Woman, opened in theaters and on HBO Max last weekend. While the rollout was anything but traditional and created no shortage of controversy within the industry, due to its shattering of the theatrical model, Warner Bros. has deemed the film successful enough to fast-track a third film, which will see Jenkins, and star Gal Gadot, return. Jenkins has previously discussed plans for a third film, though recently said her outline for the film may be subject to change given the events of 2020. Alongside that third film, Jenkins has also discussed a spinoff,

Wonder Woman 1984 review: While not as good as the original, it is still a solid entertaining film

Wonder Woman 1984 review: While not as good as the original, it is still a solid entertaining film
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Wonder Woman 3: Release date, plot, cast, trailer and all you need to know about Gal Gadot s DC superhero film

Wonder Woman 1984: Fans recognize anachronistic Cro-Mags T-shirt in DC sequel

Wonder Woman 1984, but it s actually not a mistake at all. During the montage in which a resurrected Steve Trevor (Chris Pine) is marveling over the advancements of the future, he and Diana (Gal Gadot) pass a group of 80s-era punks in a D.C. subway station. One of the punks is wearing a Cro-Mags T-shirt, despite the fact that the band didn t release its album,  The Age of Quarrel, until 1986  two whole years after the sequel takes place. While viewers have been pointing this out on social media, former Cro-Mags frontman John Joseph took to Instagram to explain that he specially sent the shirt to writer-director Patty Jenkins to use in the movie.

Review: Wonder Woman another disappointment for a DC character

Akron Beacon Journal For comic book fans an eternal question exists:  Why can Marvel get 99% of its films right and DC bats 50% at best when it comes to these blockbusters? “Wonder Woman 1984” can’t necessarily be considered a bad film, but its bloat – from an opening on Diana Prince/Wonder Woman’s island nation that details a competition she participated as a girl to an expanded flight among fireworks – does it no favors.  It’s in those moments the mind wanders and any interest in the story or character, one of DC’s best and a role model for all, but women especially, becomes lost.  In a movie theater, that’s of little concern, because after shelling out cash for a flick, few people bother to get up and leave in protest.  It’s been done, but it’s rare.

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