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October 2017 - ICON Magazine
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Gustaf Westman / Pieces Home
There’s no question that the last decade saw a revival of the Memphis Milano movement that captured the popular imagination. The collective brought to life in the early 1980s by the Italian architect and designer Ettore Sottsass in reaction to the austerity of modernism was known for its predilection for eye-catching asymmetry, Pop color palettes, and the incorporation of synthetic and composite materials, and these are the traits that reverberated with Instagram influencers and curators alike. From the 2016 Supreme collaboration with Italian designer and founding member Alessandro Mendini to the 2017 Met Breuer exhibition “Ettore Sottsass: Design Radical,” the unabashedly eighties design movement was suddenly everywhere.