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Home & Away cast and friends pay tribute to Dieter Brummer

Home & Away cast and friends pay tribute to Dieter Brummer
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Home and Away stars who were recast

Home and Away stars who were recast
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Kitty Flanagan: Fisk is the latest success for the comedian

Happily, if not surprisingly, she nails it, starring as the frequently brusque Helen Tudor-Fisk. A lawyer who’s relocated to Melbourne following a marriage break-up – her husband left her for an older woman – she fibs her way into a job with an unprepossessing firm of suburban solicitors. Gruber & Gruber specialises in probate and will cases. Sexy, no? No. This is not a show that has any interest in the potentially glamorous side of the law: no headline-grabbing criminal cases or courtroom grand-standing here. And, in keeping with the milieu, its quietly grumpy protagonist mostly gets around in shapeless dust-brown pantsuits and clumpy shoes. She can’t do small talk, is uncomfortable about hugging and dislikes the word “moist”.

Kitty Flanagan, from the Whip Around to Fisk

Kitty Flanagan owes it all to the ‘Whip-Around.’ Being invited to summarise Sydney events in a weekly segment on The Project reignited her popularity in Australia and led to new work opportunities. “ The Project put me on the map,” she tells TV Tonight. “I left Australia for 8 years because I wanted to be a stand-up. So I had to go to the UK just because there were more gigs, because I needed to work every night to get good. “I’d done Full Frontal but no-one really knew me from that. When I came back The Project gave me a TV profile. Suddenly it meant I could go on tour and do an hour show. You can’t tour without that kind of recognisability, I don’t think. It’s very rare.”

One year after COVID-19 lockdowns, how is Australian theatre faring?

Normal text size Very large text size Exactly a year ago, when Australia’s theatres all abruptly went dark, Michael Cassel, executive producer of Harry Potter and the Cursed Child in Melbourne and the upcoming Hamilton at Sydney’s Lyric Theatre, started planning for his worst-case scenario. “We thought, OK, let’s hope it’s a couple of weeks – but maybe it’s a month,” he says. As a result of the pandemic, they had already cancelled their Lion King international tour scheduled to open in Wuhan, of all places. Now “there were zero dollars coming in to pay the cast and crew on production, zero dollars for our company [Michael Cassel Group] to keep everybody employed”.

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