Professor Kirk Lynn, head of the playwriting program at The University of Texas at Austin, often tells fellow faculty members that if they want to know what performance art will look like in the next decade, they should check out the Cohen New Works Festival. The student-run biennial event is a production of the College […]
LC State s Petersen Receives National Playwriting Honor koze.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from koze.com Daily Mail and Mail on Sunday newspapers.
Segerstrom Center for the Arts is thrilled to present two performances as part of its upcoming Family Series. Every year, the Center brings the best of professional youth performances to Orange County through the Family Series.
I’m Lot Lane (a solo effort) (Photo courtesy: Christine Lamborn
KCACTF). Due to the COVID-19 pandemic, the national theatre program reviewed plays through submitted recordings, but upheld its recognition of productions in higher education that promote long-term societal impacts through an artistic lens.
UH Mānoa production,
I’m Lot Lane (a solo effort) interrogates the power dynamics in race, gender relations, and theatre while addressing the overthrow of the Hawaiian monarchy and examining its aftermath in modern Hawaiʻi.
UH Mānoa theatre students created, directed, designed and performed in the production. Graduate student
Kealiʻikeola Simpson wrote and starred in the play alongside graduate students
Luna Stage Premieres New Play Via Text Message: #RIFT by Gabriel Jason Dean
(WEST ORANGE, NJ)
Gabriel Jason Dean launches this Friday, April 9 at
Luna Stage. Part One of the play will be delivered to subscribers’ phones over text message over the next eight weeks. Sign-ups will be accepted through April 23, but capacity is limited. Reservations are required, and are available at
Through the lens of two real-life brothers one a convicted murderer, the other a playwright; one a member of the alt-right, the other an A.O.C.-type progressive
#RIFT explores whether it is possible to bridge fundamental political and ideological divides. Playwright Gabriel Jason Dean navigates a deeply personal landscape: his brother is currently incarcerated, and the two had barely spoken in 10 years. In creating this piece, Dean reconnected with his brother to explore the roots of their differences, to see if there is any way to find common ground, and to try to understand what love means