The Biennale is Fascist considers how the Student Movement of Venice tried to sabotage the 1968 Art Biennale while the Argentinian artist David Lamelas was changing the system from within. You can hear The Biennale is Fascist by visiting the artist s website: https://dani-gal.com/Dani Gal is a Jerusalem born, Berlin based artist whose work takes the form of films, installations and sound. Underlying all these is an intensive research practice that zeroes in on often-forgotten moments of historical transformation to reveal the shaping of cultural memory and ideology.As the transmissions unfold, we hear a full spectrum of Gal’s approaches to making art for radio: from selected episodes of Different Time Different Place Different Pitch, which were commissioned by Documenta 14 and realized in collaboration with Achim Lengerer on SAVVY RADIO in 2017; to the two-part radio play entitled Vertigious commissioned for the podcast series On Certain Groundlessness – Navigating Dizzine
Almost Everywhere revolves around a perennial question: in what contexts do we literally run into art? To mark the 20th anniversary of our building’s opening, 49 Nord 6 Est takes a fresh look at our space to explore different ways of approaching art.
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In the world of conceptual art, there are good ideas, bad ideas, and then there are Minujín’s ideas. Perhaps the most impressive thing about this survey of Argentinian Marta Minujín is that many of those ideas were actually realized—mostly in a place that New York critics hadn’t been paying much attention to until recently, Buenos Aires.