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After 20 Years Of Frieze, London Remains A Hotbed Of Creativity

The esteemed art fair may have lost its creative energy in the eyes of many this year, but London hasn t.

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At 20, Frieze London Is a Different Fair for a Changed City

At 20, Frieze London Is a Different Fair for a Changed City
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'Emotional masterpiece': Rembrandt's tribute to his blind father goes on sale at Frieze Masters

Rembrandt is said to have created the painting of the blind Tobit, which is on sale for £24m, a year or two before his father died

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Acquisition round-up: European museums jointly purchase an El Anatsui sculpture from collector Uli Sigg

In the World But Don’t Know the World (2009) El Anatsui, In the World But Don’t Know the World, 2009 @ El Anatsui. Photo Peter Tijhuis Stedelijk Museum Amsterdam and Kunstmuseum Bern have jointly acquired a major sculpture by the Ghanaian artist El Anatsui. The work, entitled In the World But Don’t Know the World (2009), comes from the Sigg collection founded by Uli Sigg, a former Swiss ambassador to China. For the Stedelijk Museum, the purchase was funded by the Vereniging Rembrandt (Rembrandt Foundation), the Mondriaan Fund, and the BankGiro Loterij; on the Kunstmuseum Bern side, funding came from the Swiss foundation Stiftung GegenwART, with “special thanks to the Sigg Collection”, both museums stress. “Rising prices on the art market make it increasingly difficult for public art institutions to acquire new works by celebrated artists,” says a joint statement.

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Acquisition round-up: European museums jointly purchase an El Anatsui sculpture from collector Uli Sigg

In the World But Don’t Know the World (2009) El Anatsui, In the World But Don’t Know the World, 2009 @ El Anatsui. Photo Peter Tijhuis Stedelijk Museum Amsterdam and Kunstmuseum Bern have jointly acquired a major sculpture by the Ghanaian artist El Anatsui. The work, entitled In the World But Don’t Know the World (2009), comes from the Sigg collection founded by Uli Sigg, a former Swiss ambassador to China. For the Stedelijk Museum, the purchase was funded by the Vereniging Rembrandt (Rembrandt Foundation), the Mondriaan Fund, and the BankGiro Loterij; on the Kunstmuseum Bern side, funding came from the Swiss foundation Stiftung GegenwART, with “special thanks to the Sigg Collection”, both museums stress. “Rising prices on the art market make it increasingly difficult for public art institutions to acquire new works by celebrated artists,” says a joint statement.

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