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Miles McEnery Gallery opens an exhibition of recent diptychs by Patrick Wilson

Fabricated Blue by Kim McCarty on artnet Auctions

About This Lot Contemporary artist Kim McCarty is best known for her delicate watercolor portraits of young, unclothed men and women. Inspired by transparency, the artist builds layers of monochromatic hues using a wet-on-wet technique to dramatize her portraits’ blurred, afterimage effects. “I wish to convey the transitory and emergent state,” The artist has said, “The watercolor is so translucent that the medium expresses both flaws and perfection.” Born in 1956 in Los Angeles, McCarty spent a majority of her young life in Geneva, Switzerland. She later returned to Los Angeles, and in 1980, she received her Bachelor of Arts at the Art Center College of Design in Pasadena in California. In 1988, she graduated with a Master of Fine Arts from the University of California in Los Angeles, and she was included in

Emmy Bright: Alone Together (views from the bottom of the pool)

When: Feb. 20-March 27, 2-8 p.m. 2021 David Klein Gallery is pleased to present Emmy Bright Alone Together (Views from the Bottom of the Pool). This is Bright’s third solo exhibition with the gallery and will feature a new body of work created during the COVID – 19 Pandemic. In a recent conversation, Emmy Bright explored the origins of this new body of work and explained her elaborate working methods: One of my favorite things to do this past summer was to sit at the bottom of the pool. I would sit on the bottom holding the lowest rung of the ladder. And I’d keep myself there underwater until I was out of breath. I love looking up through the water to a rippled surface - even though you can’t see much from there. It is a very quiet and still place - with little sound too, but a lot can be felt - the temperature and currents of water. And it is very blue, or blue green or even dark depending on the time of day.

Editors Picks: 17 Events for Your Art Calendar This Week, From a Chat With the Guerrilla Girls to the Music That Inspired Basquiat

1. “ ” at Pace Gallery, New York If you, like me, have ever wanted to be able to articulate responses to Tara Donovan’s something-extraordinary-from-nothing-special installations that are fitter for intelligent company than, “WTF, how did she do this?!” then Wednesday afternoon presents a golden opportunity.  To provide the high-level context Donovan’s current solo show at Pace’s New York flagship (through March 6) deserves, the gallery will host an online panel discussion between Museum of Contemporary Art Denver curator Nora Abrams, University of Chicago professor and Smart Museum of Art adjunct curator Christine Mehring, and UC Santa Barbara art and architectural history professor Jenni Sorkin. Mark Beasley, curatorial director of Pace Live, will handle moderating duties. Join me on the path to enlightenment.

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