/PRNewswire/ RegTech Associates, a research firm specialising in the RegTech and RiskTech markets, today announces the launch of its Expert Network to.
Zara Hedderman
, February 25th, 2021 09:17
The fourth volume of Stereolab s Switched On series gathers together deep cuts from 1999 - 2008 revealing a band whose joyfulness and ingenuity persistently wrongfooted the critics, finds Zara Hedderman
Photo by David Cowland
The year is 1999. Teen pop stars Britney Spears and Christina Aguilera rule the airwaves with their respective debut releases, having re-emerged from the embers of the Mickey Mouse Club. Competing for chart positions and radio-play were artists with a toe dipped in the mainstream who continued to eschew conformity with their LPs. There was Beck’s profound genre-blending on the audacious
Midnite Vultures, Fiona Apple’s unfiltered retort to journalists with a ninety-word album title, and Rage Against The Machine leading a new generation towards protest with