A Message from Circle Jerks: We had hoped it wouldn’t come to this, but our fearless singer, our dude, Keith Morris, is headed home to rest for 10 days as he recovers from COVID-19. This will not stop Keith! You have no idea how ecstatic we are to be on tour for the first time in 15 years and seeing your excitement every night has made it all worth it. Thank you! We plan to announce all rescheduled shows in the next week or two. And we will start the tour again on Tuesday, April 26th in Austin for two nights at the Mohawk. Get ready, Texas!
Rock Hazzan Hillel Tigay Shines Light on Progressive L A Synagogue Where Steven Spielberg, Eric Garcetti Are Members
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Why the Pretty in Pink Soundtrack Still Matters
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Pretty in Pink landed in theaters on Feb. 28, 1986. Directed by Howard Deutch and written and co-executive-produced by John Hughes, the movie stars Molly Ringwald as Andie, an ambitious teenager trying to take care of her dad (the late Harry Dean Stanton) while navigating her class-obsessed high school and planning for college.
Luckily, she has a solid support system: irreverent best friend Duckie (Jon Cryer); her boss, the quirky record-store owner Iona (Annie Potts); and a preppy dreamboat crush named Blane (Andrew McCarthy). Her star-crossed romantic adventures also had a great soundtrack.
As with other Hughes movies,
Pretty in Pink featured songs by artists on the cutting-edge of cool, including INXS, Psychedelic Furs, the Smiths, and Echo & the Bunnymen. Unlike some other Hughes-associated movies, however, these songs were compiled into a commercially available full-length soundtrack, which was released on A&M Records several weeks before the