copying the works of great painters such as mourning a rembrandt and. commanding doesn t paint on canvas the directly on the walls in isolated spots abandoned houses or the porch of man again for instance here a painting by spanish artist in the. becomes a window to see. these ruins underneath it not far from. where you re topping and then you too are used to only pain in the studio until a graffiti artist friend of mine asked if i wanted to come within one day. you re going to start a painting a picture on the wall and i really like the relationship between the painting and the environment and so i continue doing. that. beyond just needs about six hours to copy a painting and about full for the frame he uses a clever technique that combines colors and shading to create the impression that
has an amazing ability to copy iconic paintings and recreate these works on walls in unexpected places a so good that you need to look twice to determine that they aren t the original old masters. when german artist caspar daveed feedly he painted two men contemplating the moon in eighteen nineteen he would never have guessed that a copy of his work would appear on a wall in southern spain some two hundred years later. the skies the most work. that s the transition from whites in the from light to very dark has to be just right. that i don t get it right then no one will be able to understand the painting. artist who you and i are can banding lives and works in the end illusion provinces malaga in southern spain he s mastered the art of
to a different car and julio are now our carbon doing as a street artist but doesn t dabble in graffiti murals or political slogans he has an amazing ability to copy iconic paintings and recreate these works on walls in unexpected places they re so good that you need to look twice to determine that they aren t the original old masters. when german artist caspar daveed feedly he painted two men contemplating the moon in eighteen nineteen he would never have guessed that a copy of his work would appear on a wall in southern spain some two hundred years later. the sky s the most work. that the transition from white from light to very dark has to be just right. i don t get it right then no one will be able to