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Coming Home in the Dark Review: A Confident Kiwi Horror Debut Mixes Extremity and Ambiguity Coming Home in the Dark Review: A Confident Kiwi Horror Debut Mixes Extremity and Ambiguity A daytripping family is put violently through the wringer in James Ashcroft s debut, which initially channels Wolf Creek before revealing something else on its mind. Guy Lodge, provided by FacebookTwitterEmail Running time: Running time: 93 MIN. Goldfish Creative An expensive new car slouches on the side of a deserted country road, unoccupied and unattended, while one passenger door hangs open, creaking disconsolately in the afternoon breeze. It’s the kind of opening image that immediately warns you the film to come is up to nothing good, or at least nothing pleasant: “Coming Home in the Dark” never tells us who was behind the wheel of that abandoned car, though it gives us enough indirect detail to paint a pretty vivid, stomach-turning picture of what went down. At first glance, New

Wolf creekNew zealandUnited statesCity ofUnited kingdomVirgin riverFannie collinsTalan palmerOwen marshallAlan erik thomsonDaniel gilliesErik thomsonJames ashcroftwithJohn gibsonJill miriama mcdowellMiriama mcdowell