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Australia: SEP electoral members call on workers and youth to help put a socialist anti-war party on the ballot

Australia: SEP electoral members call on workers and youth to help put a socialist anti-war party on the ballot
wsws.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from wsws.org Daily Mail and Mail on Sunday newspapers.

Qld in 1993: Big calls on roads and rail, a stadium upgrade and new laws

Newly released cabinet documents reveal the Goss government was making decisions to deal with some of the same pressures that Queensland is facing today.

The political significance of the Workers Inquiry into the death of Aboriginal youth Daniel Yock

The findings of the Workers Inquiry which we are posting for the first time have a direct bearing on the issues raised by the Voice referendum that seeks to strengthen the capitalist state and obscure the ruling-class agenda of war and austerity.

What to read, watch and listen to: National Reconciliation Week

This year's Reconciliation Week theme is, "Be a voice for generations," and encourages all Australians to be a voice for reconciliation in our day-to-day lives by learning more about our shared histories and cultures. To help you along, we've come up with some places to start.

The 7 Stages of Grieving review – Elaine Crombie gives a singular performance in show that swings to outright activism

Last modified on Tue 25 May 2021 22.10 EDT Elaine Crombie stands on a black box stage, surrounded by midden shells on mounds of black earth, her hands clasped in tension. The rage is there in this singular woman’s emotionally affecting performance – and so is the grief. Crombie, a Yankunytjatjara, Warrigmal and South Sea Islander woman with German ancestry, speaks English and Kamilaroi in this one-woman play, The 7 Stages of Grieving. She finds the sharp rhythm in the poetry of invasion: “My children, stolen away to a safe place, were wrenched from familiar arms and forced to feed upon another tongue.” As the latest actor to embody the role of this unnamed everywoman, written by Wesley Enoch and Deborah Mailman and first performed by Mailman in 1995, Crombie blends the skills of her dramatic, comedic and singing career with the scars of her own life, both as a daughter of the stolen generations and as the mother of sons whose skin colour renders them police tar

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