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Deaf Indigenous Dance Group celebrates 27-year history at State Library

2024 Upfronts: SBS / NITV | TV Tonight

2024 Upfronts: SBS / NITV | TV Tonight
tvtonight.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tvtonight.com.au Daily Mail and Mail on Sunday newspapers.

Multichannel Survey 2023: SBS VICELAND, NITV, SBS Food, World Movies, WorldWatch

Multichannel Survey 2023: SBS VICELAND, NITV, SBS Food, World Movies, WorldWatch
tvtonight.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tvtonight.com.au Daily Mail and Mail on Sunday newspapers.

Australian institutions have quite a bit of work to do : Rhoda Roberts farewells the Sydney Opera House | Sydney Opera House

‘Slowly, slowly, things have changed, but not perhaps as quickly as we had assumed they would.’ Photograph: Daniel Boud “There was a lot of pioneering work.” This is how Rhoda Roberts, producer, arts executive and Widjabul Wiyebal woman from the Bundjalung nation, describes being the first person to take on the role of head of First Nations programming at the Sydney Opera House back in 2012. It’s a description freighted with historical irony. The internationally famous arts centre’s sails perch on Gadigal land at a traditional meeting place that looks nothing like it did prior to the arrival of the English. The “pioneering work” Roberts has done there is, at least partly, about undoing that

Australian institutions have quite a bit of work to do : Rhoda Roberts farewells the Sydney Opera House

‘Australian institutions have quite a bit of work to do’: Rhoda Roberts farewells the Sydney Opera House Stephanie Convery “There was a lot of pioneering work.” This is how Rhoda Roberts, producer, arts executive and Widjabul Wiyebal woman from the Bundjalung nation, describes being the first person to take on the role of head of First Nations programming at the Sydney Opera House back in 2012. It’s a description freighted with historical irony. The internationally famous arts centre’s sails perch on Gadigal land at a traditional meeting place that looks nothing like it did prior to the arrival of the English. The “pioneering work” Roberts has done there is, at least partly, about undoing that

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