And watches as a flight is torn down and the union one hoisted in its place. Sunday night at 8 00. Up next, reporters from the Los Angeles Times join the National Press club to talk coverage of rapper Nipsey Hussles death. They talk to discuss the negative image of los angeles. Over one hour. Welcome, everybody. I like how you instantly got silent. Welcome on behalf of of the National Press club and press journalism institute. So happy you are joining us in this room and on the span. I am the executive director of the National Press Club Institute where we are working to close the gap. Gram andn Important Service program and service. April, a woman was given an honor at the Free Expression awards. Honor, shepted her talked about Nipsey Hussle and dedicated it to him and talked about the l. A. Times and their coverage. Want to show you what she said. Tonight i want to dedicate this award to someone who was and is important and who used his art in dynamic ways. He is a rap artist, entrep
First-time author Dana Jennings has navigated some of the most challenging moments in her life with the help of a feline friend she met in Italy. It all
Literary Luminaries Troupe, Harjo, Vea And Jennings Elevate The Spoken Word.
By Wendy Kowalski
POETRY READINGS served straight-up are passé. Poets
are under the gun to connect with live audiences a tricky situation
with so much hi-tech, graphic gadgetry vying for our affections. As if the literary merit alone of poets Quincy Troupe and Joy
Harjo isn t enough, Tucson audiences will have an opportunity
to see first-hand the revival of poetry and performance art as
Troupe and Harjo, the latter with her band Poetic Justice, take
center stage in
Grace Notes:
An Evening with Quincy
Troupe, Joy Harjo and Poetic Justice, Alfredo Vea, Jr., and Dana
S. Clay Wilson, Taboo-Breaking Underground Cartoonist, Dies at 79
His drawings were so outrageous that, on first encountering them, his fellow cartoonist R. Crumb recalled feeling that “suddenly my own work seemed insipid.”
S. Clay Wilson’s cover for Zap Comix No. 3; he also contributed a 10-page story to the issue. His influence on fellow underground cartoonists was evident and ubiquitous.Credit.S. Clay Wilson/Zap Comix
Feb. 9, 2021
S. Clay Wilson, the most scabrous and rollicking of the underground cartoonists who first achieved notoriety as contributors to Zap Comix in the late 1960s, died on Sunday at his home in San Francisco. He was 79.