a manager said, oh, i have this great script set in the advertising world in new york. it s been around for eight years, and nobody has bought it. everybody s passed. advertising is based on one thing, happiness. don draper is a master of the universe ad executive in the early 1960s, manhattan. but he s actually secretly a man named dick whit man. he has stolen the identity of the real don draper due to an incident during the korean war. he was living another man s life, but he s battling his own demons at the same time and we re seeing him rise and fall over the course of the 1960s. in a lot of ways, the most interesting ark of the show is peggy olson s career. she goes from this little church mouse secretary to a really tough and bold and confident career woman. i like the way she s handing out the pops. who knows what she s going to do and can try to get it during
it will be a neater, happier place. he was raised by a police man to channel his sociopath i can impulses to only kill other killers. so he is a bad guy, but also a good guy. i kill reprehensible people. i mean, the idea of the show is that you re invited to identify with and maybe even root for a serial killer. that s right. he kills horrible people. if i were just killing people willie nilly, i think all bets would be off. where is the fun in that? yeah. in the 2000s, the anti-hero really rose to prominence. [ bleep ]. don t point that there. that was nice work. i d hate to see it i think they were popular because they were surprising. you re a free woman. you struck a deal? the d.a. dropped the charges. thank you.
you guys all done talking? richard hatch was sitting in a tree, lecturing about what they should do as their group. nobody is working toward a particular goal, not the silly little stuff about who is going to sleep where, what are we going to do, but why are we here. and underneath him was this woman sue hawk, a truck driver. i m a red neck and i don t know corporate world at all. corporate world ain t gonna workout here in the bush. that was the show. he walked around naked quite a bit. i think it bugged the guys. whatever it takes to win here is the point. it s a game. call it machiavellian, sure. we had no idea that richard hatch would be the best thing to ever happen to survivor. all around the country, people were on the edge of their seats, waiting for the final vote to be announced. the winner of the first survivor competition is
based on mark wahlberg s life, and the appeal of the show is not so much about show business. it was these four gaze who were like lifelong friends who could [ bleep ] with each other and say horrible things with each other, but be tight and be good friends. they want to throw 4 million at you. are you kidding? are you smiling? yeah, i m smiling. can you hear me smiling? you got my bald thing with men. they drive that way in tiananmen square? he became the break out character. willing to be truthless, also a family man with a line in the sand. and you don t know where that line in the sand is which makes him a morally much more interesting character. i read an article in the times, the new york times, not you read the times? no. you read the new republic? i ve heard of it. i was reading it. it s interesting. what it says, you don t know what the [ bleep ] you re talking about. so this is their big idea? people? i think human interaction is overrated, but this
and it was about these misfits at high school. and they re in the glee club. there s a lot of themes about, a, not fitting in, but, b, homophobia. i m through with playing by the rules if someone else is game it was specific to my childhood. whoever thought that, you know, a bunch of misfit show choir losers would become a global thing? i never did. i think glee and ryan murphy really got the general public understanding that, oh, there is a person behind this, and there is a person sensibility that is driving this show. now be like a sister. this is the point at which the show runners are almost as famous or more famous than some of the people on their shows because we care so much about the creative process. so is it the drama and the