media satire, speculating on what would happen if a giant comet was hurtling towards earth, spelling total extinction. what i see in her is obvious. what she sees in me is a little more puzzling. in sixth place, annette, the opening film at this year s cannes film festival, in which the story and songs came from the pop duo sparks. a seriously weird but thoroughly engaging film. taking the number five spot, joe wright s cyrano, an adaptation of the stage musical based on the cyrano de bergerac play. the songs were performed live, and that really connected with audience. i don t know where my family is. can i go and check on them? i won t be long. in fourth place, quo vadis aida? not a documentary, but it felt hauntingly real.
is a little more puzzling. in sixth place, the opening film at this year s cannes film festival, in which the story and songs came from the pop duo sparks. a seriously weird but thoroughly engaging film. taking the number five spot, joe wright s cyrano, an adaptation of the stage musical based on the cyrano de bergerac play. the songs were performed live, and that really connected with audience. i don t know where my family is. can i go and check on them? i won t be long. in fourth place, quo vadis aida? not a documentary, but it felt hauntingly real. at number three, the velvet underground. filmmaker todd haynes turns his hand to documentary making with a brilliant chronicle
taking the number five spot, joe wright s cyrano, an adaptation of the stage musical based on the cyrano de bergerac play. the songs were performed live, and that really connected with audience. i don t know where my family is. can i go and check on them? i won t be long. in fourth place, quo vadis aida? not a documentary, but it felt hauntingly real. at number three, the velvet underground. todd haynes turns his hand to documentary making with a brilliant chronicle of seminal band the velvet underground. in second place, one of my favourite films of the year, the animated documentary flee, in which rasmussen makes ingenious use of animation to tell the story
happen if a giant comet was hurtling towards earth, spelling total extinction. what i see in her is obvious. what i see in her is obvious. what she sees them he is a little more puzzling. in sixth place, and it, the opening film at this year s cannes film festival, in which the story and songs came from the pop duo sparks. a seriously weird but thoroughly engaging film. taking the number five spot, joe wright s cyrano, an adaptation of the stage musical based on the cyrano de bergerac play. the songs were performed live, and that really connected with audience. i don t know where my family is. can i go and check on them? i won t be long. in fourth place, quo vadis aida? not a documentary, but it
thoroughly engaging film. taking the number five spot, joe wright s cyrano, an adaptation of the stage mu5ical based on the cyrano de bergerac play. the songs were performed live, and that really connected with audience. i don t know where my family is. can i go and check on them? i won t be long. in fourth place, quo vadis aida? not a documentary, but it felt hauntingly real. at number three, the velvet underground. todd haynes turns his hand to documentary making with a brilliant chronicle of seminal band the velvet underground. in second place, one of my favourite films of the year,