with us, but he wrote the play so he could play the main character, malcolm scrawdyke. and to cut a long story short, he was impossible to direct. he d say, oh, a director s just a chairman. i d say, why don t you move over there on that.? he d say, why? i could move there, i could move anywhere. and so. at this point, i d already. and we ve talked about this, i d already formulated notions about. because i wanted to write and direct and i d formulated notions about other collaborative ways of making work. and this experience, much though i felt. think the play is great and much though i was very fond of halliwell and we had a good gang of folk involved, it was a defining experience, just because i decided
production of little malcolm and his struggle against the eunuchs, a play by david halliwell. you ve described this experience as a life changing experience. why? because. david halliwell, who was a close friend and a very talented guy, he s no longer with us, but he wrote the play so he could play the main character, malcolm scrawdyke. and to cut a long story short, he was impossible to direct. he d say, oh, a director s just a chairman. i d say, why don t you move over there on that.? he d say, why? i could move there, i could move anywhere. and so. at this point, i d already. and we ve talked about this, i d already formulated notions about. because i wanted to write and direct and i d formulated notions about other collaborative ways of making work. and this experience, much though i felt.
david halliwell, who was a close friend and a very talented guy, he s no longer with us, but he wrote the play so he could play the main character, malcolm scrawdyke. and to cut a long story short, he was impossible to direct. he d say, oh, a director s just a chairman. i d say, why don t you move over there on that.? he d say, why? i could move there, i could move anywhere. and so. at this point, i d already. and we ve talked about this, i d already formulated notions about. because i wanted to write and direct and i d formulated notions about other collaborative ways of making work. and this experience, much though i think the play is great and much
and to cut a long story short, he was impossible to direct. he d say, oh, a director s just a chairman. i d say, why don t you move over there on that.? he d say, why? i could move there, i could move anywhere. and so. at this point, i d already. and we ve talked about this, i d already formulated notions about. because i wanted to write and direct and i d formulated notions about other collaborative ways of making work. and this experience, much though i felt. think the play is great and much though i was very fond of halliwell and we had a good gang of folk involved, it was a defining experience, just because i decided that this is not what i was going to do. i was not going to battle with scripts. i was going to find a way
against the eunuchs, a play by david halliwell. you ve described this experience as a life changing experience. why? because. david halliwell, who was a close friend and a very talented guy, he s no longer with us, but he wrote the play so that he could play the main character, malcolm scrawdyke, and to cut a long story short, he was impossible to direct. he d say, oh, a director s just a chairman. i d say, why don t you move over there on that.? he d say, why? i could move there, i could move anywhere. and so. at this point, i d already. we d talked about this, i d already formulated notions about. cos i wanted to write and direct and i d formulated notions about other collaborative ways of making work. and this experience,