It’s 1977, about five years after Bettina Grossman moved into the Chelsea Hotel and eleven years since a devastating studio fire in Brooklyn Heights reduced much of her work to ashes. Sitting in her room on the fifth floor, she looks out on 23rd Street with her camera, continuing her ritual as the city’s oblique witness.
Tony Cokes's urgent video works, Caitlin MacBride’s Shaker-inspired paintings, Barrow Parke's mytho-mathematical survey, and other shows that’ll warm your winter.