Martin Scorsese s Right: Big Tech Is Killing Cinema
Mark Asch, provided by
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about Federico Fellini. Fellini, he writes, “was the cinema’s virtuoso,” in whose films sound and image “play off and enhance one another in such a way that the entire cinematic experience moves like music, or like a great unfurling scroll.”
But that’s not why you’re reading this, is it?
Scorsese can get lots of people Very Mad Online by making simple factual statements about what the corporate consolidation of the American film industry is doing to American art and culture. He did it in 2019, when he wrote in the
jacki you have international experience curating festivals from the u.k. you have walked in 1000000000 also curating what are the lessons that you you think that you would draw from your experience working also in the block style film festival and in the international festivals what are the lessons that you ve learned. well. it s interesting we ve seen more and more films being produced on the continent and that being widely disseminated and fire various festivals around the world and i think the opportunity now we have is with through international film festivals that films don t ness africans and films don t necessarily only have to be seen within the african film festival but also international film festivals that they can be given the wide programming with american and european films and i think that s a huge achievement and that s where we want to go actually. at oprah s open question who benefits the most from the festivals is that the directors it the
jackie mean you have international experience curating festivals from the u.k. you have walked in 1000000000 also curating what are the lessons that you you think that you would draw from your experience working also in the black star film festival and in the international festivals what are the lessons that you ve learned. well. it s interesting we ve seen more and more films being produced on the continent and that being widely disseminated in fact various festivals around the world and i think the opportunity now we have is through international film festivals that film star ness african films don t necessarily only have to be seen but then african film festival international film festivals that they can be and then the white programming with american and european films and i think that s a huge achievement and that s where we want to get actually. open question who benefit the most from the festivals is that the directors it the actors in the
when i was there, i asked him who made the decision about the scope of that fbi investigation after we learned about dr. ford? the white house did. so the invisible/not so invisible hand of the white house was basically orchestrating, choreographing, curating, what the judiciary committee would learn about this nominee to serve for a lifetime on the highest court in our land, a court that is supposed to do the work of justice, a court where inscribed in the marble that houses it, we say equal justice under law. it was a sham. and when we talk about expecting that people will have a sense of respect for the system of justice, we have to recognize that the process by which he was confirmed has created a crisis