unions are very important. i m here because i m in the sag aftra union, i m also here because of the writers union. the corporate greed that the studio shows. ..has made it very difficult for people to have lives. there are trying to find an answer to streaming into ai, which are situations that are new. so we are in an old contract for a new type of business, and it s just not working for people. and actor sean astin who has featured in the goonies and the lord of the rings trilogy said actors had no other option but to strike. ata at a certain point, you have tojust say, who is going to determine what our value is? well, look at these thousands of people. we are determining what our value is. you know who else determines that? the audience, the audience who comes out and loves us and want us to do more. they want to engage with our characters. and i think if you were to ask them how they would like to
matter how long it takes. the president of the new york sag aftra group here say theyjust have to last one day longer than the studios. ., ~ , ., , . studios. thank you very much, indeed. joining studios. thank you very much, indeed. joining us studios. thank you very much, indeed. joining us that - studios. thank you very much, indeed. joining us that from i studios. thank you very much, - indeed. joining us that from outside the headquarters of netflix in new york. that strike of actors and screenwriters. let s speak with carol palmer, she uses ai screenwriters. let s speak with carol palmer, she uses al to create immersive movies. welcome to the programme. are you sympathetic to the concerns of actors and to some extent screenwriters, but particularly actors in this context, that the image can be replicated, and their voice? that the image can be replicated, and their voice? absolutely 100%. even though and their voice? absolutely 10096. even though i and their voice? absol
working in conjunction with those key factors. working in con unction with those key factors. working in con unction with those key factors. right, but right now, what are the key factors. right, but right now, what are the restrictions - key factors. right, but right now, what are the restrictions on - key factors. right, but right now, what are the restrictions on you? | what are the restrictions on you? could you, if you wanted to, use an image to create something else, more content, without referring to the actor? ., . content, without referring to the actor? ., ., ., ., content, without referring to the actor? ., . . . ., content, without referring to the actor? ., ., ., ., ., actor? not that i m aware of. that s somethin: actor? not that i m aware of. that s something which actor? not that i m aware of. that s something which is actor? not that i m aware of. that s something which is not actor? not that i m aware of. that s something which is not illegal - someth
people s identity, more in terms of putting somebody in the middle of an interactive experience. interactive experience. understood. are ou interactive experience. understood. are you surprised interactive experience. understood. are you surprised by interactive experience. understood. are you surprised by how interactive experience. understood. are you surprised by how quickly - are you surprised by how quickly generative ai has become part of our consciousness and part our world? i think it s taken all of us unaware, even though i m very much, my work is based in the future, the speed with how it s being infiltrated in society is huge. even elon musk a few months ago was saying that there needs to be hauled, because everybody is surprised by the speed of it. do everybody is surprised by the speed of it. , ., everybody is surprised by the speed of it. i. ~ everybody is surprised by the speed ofit. ~ 3 everybody is surprised by the speed ofit. ~ , ., everybody is surprised by