so to suddenly be in an era where we could tell these rich stories and really create the suspension of them. and the trajectory of them. get over whatever it is and do your job. in ways that maybe we couldn t necessarily in film. i do think that led to where we are now where everybody wants to do tv. sit down, you guys. no. [ laughter ] yeah, you can t sit there. why not? that s where sheldon sits. he can t sit somewhere else? oh, no, you see in the winter that seat is close enough to the radiator so that he s warm yet not so close that he sweats. in the summer it s directly in the path of the cross-breeze created by opening windows will and there. it faces the television on the angle that isn t direct so he can still talk to everybody but not so wide that the picture looks distorted.
i said bull to suddenly be in an era we could tell these rich stories. entrance has been gained. and really create a suspense of them and trajectory of them. get over what ever it is and do your job. in ways that maybe we couldn t necessarily in film. i do think that led to where we are now where everybody wants to do tv. it s about you guys. you can t sit there. that s where sheldon sits. he can t sit somewhere else? you see, in the winter that seat is close enough to the radiator that he s warm and not so close he sweats. in the summer open directly to the cross breeze and not direct so he can still talk to everybody yet not so wide that
i said [ bleep ]. so to suddenly be in an era where we could tell these rich stories entrance has been gained. and really create the suspense of them and the trajectory of them. get over this and do your job. in ways we necessarily couldn t do it in film and i think that led to where we are now where everybody wants to do tv. sit down, you guys. oh, yeah, you can t sit there. why not? that s where sheldon sits. he can t sit somewhere else? in the winter that seat is close enough to the radio so that he is warm and not so close he sweats, and in the summer it s in a cross breeze and we can still talk to everybody and yet not so wide at the picture
where we could tell these rich stories. entrance has been gained. and really create the suspense of them and the trajectory of them. get over whatever it is and do your job. in ways that maybe we couldn t necessarily in film. i do think that led to where we are now where everybody wants to do tv. sit down, you guys. no. [ laughter ] yeah, you can t sit there. why not? that s where sheldon sits. he can t sit somewhere else? oh, no, you see in the winter that seat is close enough to the radiator so that he s warm yet not so close that he sweats. in the summer it s directly in the path of the cross-breeze created by opening windows there and there. it faces the television on the angle that isn t direct so he can still talk to everybody but not so wide that the picture
everybody died. and i thought it was brilliant. the work on tv is as good as any work that s on a big screen. and so that hierarchy of film and television i think has been changed dramatically. partially because of the great work that people did at hbo and also because of the work they did at a lot of other places. you can t sit there. that s where sheldon sits. et he can t sit somewhere else? no, in the winter that seat is close enough to the radiator so he s warm yet not so close that he sweats. in the summer it s in the path of a cross breeze created by windows there and there. he can still talk to everybody with us not so wide that the.