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YEREVAN, AUGUST 4, ARMENPRESS. French-Armenian photographer Antoine Agoudjian, a descendant of the witnesses of the Armenian Genocide, has been presenting Armenia and the heritage of Armenians to the world through his camera for years. He is presenting not only Armenia, but also the countries which have had a direct link with Armenians in other periods. Antoine Agoudjian’s photos depict human suffering, pain, love and belief to the God. The photographer admits that his photos are not easy to understand, but notes that there is a light in each of his work, because, as he says, Armenians are happy people by nature.

YEREVAN, AUGUST 4, ARMENPRESS. French-Armenian photographer Antoine Agoudjian, a descendant of the witnesses of the Armenian Genocide, has been presenting Armenia and the heritage of Armenians to the world through his camera for years. He is presenting not only Armenia, but also the countries which have had a direct link with Armenians in other periods. Antoine Agoudjian’s photos depict human suffering, pain, love and belief to the God. The photographer admits that his photos are not easy to understand, but notes that there is a light in each of his work, because, as he says, Armenians are happy people by nature.

YEREVAN, AUGUST 4, ARMENPRESS. French-Armenian photographer Antoine Agoudjian, a descendant of the witnesses of the Armenian Genocide, has been presenting Armenia and the heritage of Armenians to the world through his camera for years. He is presenting not only Armenia, but also the countries which have had a direct link with Armenians in other periods. Antoine Agoudjian’s photos depict human suffering, pain, love and belief to the God. The photographer admits that his photos are not easy to understand, but notes that there is a light in each of his work, because, as he says, Armenians are happy people by nature.

Mosaic and graffiti butterflies in Armenia after the war

Mosaic and graffiti butterflies began to appear on the building walls across Armenia and in Karabakh shortly after the war. Their author, Siranush Aghajanyan, sees them as a symbol of love, happiness and rebirth

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