it s making or an effective picture so is that when you were then looking at when when you were basically called in to verify that this painting was genuine i mean what was it specifically about this painting that allowed you to roll out that it was indeed genuine and that it wasn t painted by one of his students i should say what i m doing what i do is i research who works whether their own privately or in public without any favor while my own the other so i m not really setting out to authenticate things but obviously the more you find out about painting and the more it seems consistent with really low knowledge and the more it supports the the attribution i first saw it in the national gallery in london a nick penney director said we got something which i think you d like to see so i went to see and sorest in the conservation studio and immediately there s a sense of wow this is. no don t reach that you didn t do