In mid-December I spoke with MixOne Sound & Cinema Video Partner & Director of Film Kevin Garcia about the tentative return of live music as the pandemic continues, the challenges of streaming shows with hybrid (in-person and online) audiences, and the gear and techniques MixOne uses to deliver a unique experience to their online viewers.
Gigcasters Casey Charvet discusses how Gigcasters and the agencies they work with have embraced remote production and virtual and hybrid events first out of necessity with the challenges of the pandemic, then recognizing the new possibilities and opportunities they offer.
Creamfields, the UK s biggest dance music festival, was delivered using a Blackmagic Design live production workflow built around ATEM production switchers and HyperDeck recorders.
When London s Guildhall School of Music and Drama upgraded its video infrastructure with NewTek s VMC (TriCaster) live multi-camera production system and NDI to solve a pressing issue, it also opened a world of possibilities.