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「まだ会ったことがない人への憧れや畏怖」 ウラジオストクで行われた日本人クリエイターのプロジェクト
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FUSIONWRX Inc, a Flottman Company Promotes Chelsea Vaal To
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FUSIONWRX Inc, a Flottman Company Promotes Chelsea Vaal To Senior Designer and Marketing Manager
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Inaugurata al Museo Capitolare Diocesano di Foligno la mostra dei finalisti dellââOpen Call La Madonna di FolignoâÂ
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Inaugurata alcuni giorni fa al Museo Capitolare Diocesano di Foligno (Largo Giosuè Carducci, 40) la mostra collettiva âOpen Call: La Madonna di Foligno, il meteorite e il punctum. Come rileggere un capolavoroâ curate e coordinate da Marta Silvi, critica dâarte, docente e curatrice indipendente, con lâassistenza di Silvia Forniti nella parte organizzativa e di liaison con gli artisti. Gli artisti hanno accolto con entusiasmo lâinvito a rileggere e
interpretare in chiave contemporanea la âMadonna di Folignoâ di Raffaello: ben 114 candidature per più di 150 progetti sono pervenute al Comune di Foligno in risposta al bando âOpen call: La Madonna di Foligno, il meteorite e il punctum. Come rileggere un capolavoroâ indetto a fine ottobre 2020. Il lavoro di valutazione sui progetti si è pr
Five type designers share how they uniquely approach their craft.
By Maya P. Lim
Design luminary Massimo Vignelli famously said that designers really only need about six typefaces. But type design has accelerated in recent years, anticipating and fueling our insatiable hunger for new letterforms. We can’t seem to get enough.
This hunger is justified. Standards for practicality have shifted as technologies evolve, and we need type to work in various digital viewing contexts. Type design education has become more widely available, enabling more people to learn the craft and bring their perspectives to the industry. And, of course, there’s the simple, addictive joy of finding beautiful, expressive letterforms.