From
rock ’n’ roll publicist to TV and film music supervisor, Jen Malone’s in-depth knowledge and palpable passion for music have allowed her the opportunity to flex her strengths and work on a plethora of diverse scores. Not to brag, but she also won Best Music Supervision for the television drama
To nobody’s surprise, season 1 of
The Umbrella Academy has a very strong musical ambiance that acts as this invisible character in every scene. You can hear it, but it’s physically nonexistent. Going into the creation of season 2, did you feel a lot of pressure to create that same type of atmospheric musical setting?