standup here in new york? right. primarily. ? i was still doing sports and news at the same time i said what could help me at memorizing. help me increase a stage presence? i thought i could try and do it. do it whenever i can. i thought i would be better as a host ad-lib, understand copy and understand an audience. that was all you on chicken. all me. you did stand up in new york? yes. how long? probably 15 years or so. 15 years, colmes? yes he. started when you were 18 years old? i was a fetus. and it was very, very. yeah. i mean, it was something he loved making audiences last. the nightclub business itself was very tough. my radio career took off. broadcasting can consume you. you so you were going out at night for 15 years. so you must know i know you know ray romano and everybody loves remain monday. he was a friend of you on the circuit. carol leafer and chris
[ laughter ] walk down the street and think you know, start the wave. with my hand. here now kilmeade and colmes. you got the same hair cut, colmes. hasn t changed. same dopey expression. thanks for your support. stand-up is the hardest thing to do in the entertainment industry. it s absolutely the hardest thing. if you can sing, you sing. to tell jokes to win the audience over. how long did you do it. i did it from 1990 to about 96 or 97. got the job at fox news and getting up at 2:30 in the morning after doing standup at 10: 0 let alone getting permission to do it would have been impossible. my wife insisted on having children and they wanted me around. so you went right from
standup here in new york? right. primarily. ? i was still doing sports and news at the same time i said what could help me at memorizing. help me increase a stage presence? i thought i could try and do it. do it whenever i can. i thought i would be better as a host ad-lib, understand copy and understand an audience. that was all you on chicken. all me. you did stand up in new york? yes. how long? probably 15 years or so. 15 years, colmes? yes he. started when you were 18 years old? i was a fetus. and it was very, very. yeah. i mean, it was something he loved making audiences last. the nightclub business itself was very tough. my radio career took off. broadcasting can consume you. you so you were going out at night for 15 years. so you must know i know you know ray romano and everybody loves remain monday. he was a friend of you on the circuit. carol leafer and chris
standup here in new york? right. primarily. ? i was still doing sports and news at the same time i said what could help me at memorizing. help me increase a stage presence? i thought i could try and do it. do it whenever i can. i thought i would be better as a host ad-lib, understand copy and understand an audience. that was all you on chicken. all me. you did stand up in new york? yes. how long? probably 15 years or so. 15 years, colmes? yes he. started when you were 18 years old? i was a fetus. and it was very, very. yeah. i mean, it was something he loved making audiences last. the nightclub business itself was very tough. my radio career took off. broadcasting can consume you. you so you were going out at night for 15 years. so you must know i know you know ray romano and everybody loves remain monday. he was a friend of you on the circuit. carol leafer and chris
[ laughter ] walk down the street and think you know, start the wave. with my hand. here now kilmeade and colmes. you got the same hair cut, colmes. hasn t changed. same dopey expression. thanks for your support. stand-up is the hardest thing to do in the entertainment industry. it s absolutely the hardest thing. if you can sing, you sing. to tell jokes to win the audience over. how long did you do it. i did it from 1990 to about 96 or 97. got the job at fox news and getting up at 2:30 in the morning after doing standup at 10: 0 let alone getting permission to do it would have been impossible. my wife insisted on having children and they wanted me around. so you went right from