and that s as good as it gets. okay, baby, that s it. the murder you don t see in double indemnity is better than any grizzly murder you could show me. straight down the line. barbara stanwyck s perform, as phyllis is the archetype of the dangerous femme fatale. back in the morning. meet me at the hotel. when you get to jane greer in out of the past, she takes it a step further. can we get away with it. she s much more of a cold psychopath. there s a scene where he s watching robert mitch chum and his partner beat the hell out of each other and she s sort of in ecstasy. i ll never forget the images in that fight her face shooting a guy it stayed with me for the rest of my life. that will dry your hair. she takes into the bungalow and they kiss. something in the camera moves to the door and the door opens. it s raining.
double indemnity is better than any grisly murder you could show me. straight down the line. barbara stanwyck s performance as phyllis is the archetype of the dangerous femme fatale. back in the morning. meet me at the hotel. when you get to jane greer in out of the past, she takes it a step further. can we get away with it? she s much more of a cold psychopath. there s a scene where she s watching robert mitchum and his partner beat the hell out of each other and she s sort of in ecstasy. i ll never forget the images in that fight, her face shooting a guy. it stayed with me for the rest of my life. that will dry your hair. she takes him to the bungalow and they kiss. something in the camera moves to the door and the door opens. it s raining. the camera just tracks. it s just visual poetry and mood.