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OK, so I snuck in one doc. Whether Spike Lee s thrillingly immersive record of this sui generis theatrical concert is the best film of 2020 is open to debate. What I can say with absolute certainty is that the hyper-kinetic hymn to community and connection in a politically divided, environmentally ailing world is by far the most therapeutic time I had at a movie in this trying year of isolation and anxiety. Byrne s show was already something special on Broadway, with the silver-topped, professorial art-rocker flanked by a hard-working multicultural troupe of 11 virtuosic musicians, dancers and backup singers. Lee and nimble DP Ellen Kuras achieve miracles by somehow heightening that joyous experience, putting us right in there among the performers in a concert film that stands proudly alongside Jonathan Demme s landmark in the genre, the Talking Heads jam,