functionality as a sign of progress and welcomed its new objectivity. and the artists how did the often guard of the bauhaus respond after nine hundred thirty three. to take. one of the most influential boss teachers he create a graphic design is on the universal typeface which became signatures of the ball house. but starting in one nine hundred thirty three by. began to create nazi propaganda designing catalogues and exhibitions which celebrated the ideology of racist doctrines of the third riteish. a t.v. series there were a film about house pupils and teaches who remained and were eager to continue receiving commissions in germany ones who then exhibited little of the bow houses reformist spirit and ethical principles did from coincidence a. nice find a hole was no exception in one nine hundred thirty four he joined gobos chamber of
culture supported hitler and contributed to nazi exhibitions he just wanted to build regardless for whom enticed by new commissions he emigrated to the united states in one nine hundred thirty eight there he designed iconic structures like the seagram building in new york. nice fonda became a star architect his pandering to the nazis was soon forgotten and hasn t tarnished the bahasa structure taishan to this day still there s little reason to place the powerhouse on a moral pedestal. some of the vile house teaches and students who went into exile became successful in the us our house became internationally famous but it was never a purely german phenomenon teachers and students came from all over the world ariel sharon had experience life on a kibbutz and palestine and brought those ideas with him to death south later he returned to the middle east and built a legendary white city in tel aviv and